How can photography exist in other ways?
Imperfections represent our personal experiences with nature rather than nature itself.
In my work, where I leave the established traditions of photography and question its reality and representation, my aim is to question whether an accurate and transparent form of representation is possible, as well as creating a conceptually intriguing and visually striking work.
In my “flow” work, I created scratches and random images by destroying chemically the surface of photographic film and printed them in pieces in the darkroom. Finally, I strengthened the meaning of imperfections by exhibiting them together as a panel.